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#The terminator 2 full movie hd skin
More obvious is the switch to a cooler colour palette on the Ultra HD version, which is clearly noticeable in skin tones – Schwarzenegger, Furlong and Hamilton have less of a pinkish hue – and less warmth in the movie's daylight Los Angeles scenes.
#The terminator 2 full movie hd 1080p
Comparisons with the 1080p platter show little overt difference in how bright highlights (often, in this movie, glinting chrome) are handled. HDR grading is subtle, rather than spectacular. Previous BD releases for T2 have also suffered from digital cleanup work, so maybe this isn't unexpected, but anyone hoping for a 4K iteration of how this 35mm production will surely have looked in cinemas in 1991 will be disappointed. His skin appears ultra-smooth, his hair and eyebrows waxy, and the image feels flat. It's particularly evident in the scene were Schwarzenegger enters the biker bar in Chapter 1, stark naked. There are strong edges, but other areas of the picture appear almost CG like in their lack of really fine detail. The issue is that grain reduction and digital smoothing has obviously been applied – presumably to enable a more effective 3D presentation – and that, while the 3,840 x 2,160 image appears pleasingly sharp, it's almost superficially so. And perhaps this explains why the movie doesn't look as enticing in 4K as many fans will hope. Picture: Studiocanal's Ultra HD Blu-ray release (as evidenced by a pre-movie line of text) is apparently based upon the new Digital Intermediate struck for its theatrical 3D release earlier this year. At the same time, the fact that it softened its edges to get a ‘15' rating irks, and James Cameron's direction can at times feel oddly passive, despite the destruction happening onscreen. The plot still intrigues, the occasional gags still raise a smile and the T1000 still terrifies. Two-and-a-half decades since its release, T2 hasn't lost its ability to thrill. Sarah Connor (Linda Hamilton) is here transformed from poodle-haired sidekick to muscular action heroine, while Arnold Schwarzenegger's switch from baddie to hero is inspired, creating a father figure to dad-less John Connor (Edward Furlong), and a handy weapon to fight the seemingly indestructible T1000. The movie's real genius lies not in its fluid SFX (although they're impressive), but in its repurposing of its original cast. But it certainly succeeds in being bigger, both in its narrative scope and action sequences. T2 isn't that, though – it lacks the sheer unpolished energy and lean storytelling of Cameron's The Terminator. The resulting audience stampede saw it challenge box office records, cement James Cameron's status as Hollywood royalty and have it crowned by some as that rarest of things – a sequel superior to its forebear. It's safe to say 1991's Terminator 2: Judgment Day caused a stir when it landed in cinemas, flaunting a massive budget and groundbreaking CGI.